I wanted to post a reminder that the deadline for sending in abstract submission for my forthcoming anthology tentatively titled Essays on Space Horror in Films, 1950s – 2000s is quickly approaching with just over a week remaining. If you have an interest and an idea percolating, please try to submit. In the meantime, here are some questions you may be thinking about:
Who can contribute to this anthology?
I hope you! If you can write a structured essay that has sound analysis supported by well researched reference materials and is engaging for the reader then consider submitting an abstract approximately 300 – 500 words, a one-page CV, and a brief preliminary draft bibliography so I can see what direction you are going with your literature review. These are due by August 25 to email@example.com. You can also direct any questions to that email address as well.
Successful contributors will receive a complimentary copy of the book after the book has been released.
What is the anthology going to be about?
The anthology will include a collection of essays that will deconstruct and analyze the space horror genre by utilizing a theoretical framework of the author’s choosing. The data set should include a space horror film or collection of space horror films ranging anywhere from the 1950s when the genre really took off to present-day films.
I kept to films since that is where the genre has been most fruitful. Films from anywhere are acceptable, as long as they can be identified and categorized as space horror. Unfortunately, I will have to reject any abstracts focused on any other mediums.
What are typical themes for this genre?
There is not a predefined set of theoretical frameworks to be utilized when defining, exploring and analyzing space horror. There are so many to choose from; I want writers to select the theoretical lens they feel will best work with their chosen data set. Here’s a brief list of themes:
- Claustrophobia, Outer Space fears (Pandorum, Dark Star, Europa Report, The Black Hole)
- The influence of slasher films (Alien, Event Horizon, Jason X, Sunshine, Leprechaun 4: In Space)
- Psychological (2001: A Space Odyssey, Solaris, Sunshine, Moon)
- Body Horror and/or transformation (Supernova, Event Horizon, Hellraiser: Bloodline, Slither)
- Final girl (Alien, Prometheus, Dead Space: Downfall)
- Paranormal/Occult (Event Horizon, Hellraiser: Bloodline, Dracula 3000, Ghosts of Mars)
- Cold War fears (most invasion films of the 1950s – 1970s)
- Doppelganger (Event Horizon, Invasion of the Body Snatchers, The Thing, Moon)
- Compare/Contrast maleficent vs. animal “aliens” (Xenomorphs in Alien franchise vs. alien species encountered in Pitch Black, Apollo 18, Europa Report for example)
- Alien abduction (Communion, Fire In The Sky, Extraterrestrial)
- Found footage (Europa Report, Apollo 18)
- Sacrifice of self and/or self-destruct sequence (Alien franchise, Event Horizon, Critters 4, The Last Days on Mars)
- Role of AI, robotics and/or the concept of “uncanny valley” (Alien franchise, 2001: A Space Odyssey, Prometheus, Dracula 3000)
- Bram Stoker and Space Vampires (Dracula 3000, Planet of the Vampires, Lifeforce)
- Exploring Literary roots such as H.P. Lovecraft, H. G. Wells, Jules Verne, Edgar Rice Burroughs, Ray Bradbury, etc.
Why put this anthology together?
Although there has been a plethora of space horror films and much has been written about science fiction, horror or on individual films (mostly the Alien franchise), I found a gap in analysis when it comes to the space horror genre in cinema. Hence, through my selection, it is my goal that the essays included in this anthology will represent an in depth exploration of the genre as well as bridge the gap of critical analysis that currently exists between science fiction and the horror genres.
Who is the intended audience?
An independent popular culture publisher will publish the anthology and readers are expected to include individuals studying and/or curious to increase their understanding of science fiction, horror and of course, space horror.
When will this anthology be available to purchase?
I wish it was tomorrow, however editing does take time. By September 1, I will respond to all submissions with either an acceptance or decline email. For those accepted, they will receive a detailed style sheet to format their essay that they will have five months to write. Essayists are expected to submit an essay of 5,000 – 8,000 words by January 31, 2016. Of course, early submissions are most appreciated and allow me to get a head start on the editing process.
Essays will be returned for correction and the final copy is expected no later than April 20, 2016. Delivery of the manuscript to the publisher has been promised no later than June 1, 2016 and I hope that the book will release by the end of the year.
If you have questions that I haven’t answered, please feel free to email me at firstname.lastname@example.org.